Thursday, July 3, 2014
Song of the Day: "Advanced Falconry" by Mutual Benefit
Lush & lovely. No surprise I'm enjoying his stuff, you can really hear the Sufjan influence in the banjo & strings.
Saturday, April 26, 2014
Song of the Day: "Matilda" by Alt-J
Was blasting this song in my car while running errands today... Alt-J is a quirky U.K. based band that has gained a bit of a following here in the states as well.
This track is off their 2012 album, An Awesome Wave. The video's nothing to write home about, but the song is.
| Alt-J |
This track is off their 2012 album, An Awesome Wave. The video's nothing to write home about, but the song is.
Labels:
2012,
alt-j,
alternative,
an awesome wave,
indie,
matilda,
u.k. bands
Monday, April 7, 2014
The War on Drugs - "Lost in the Dream"
What a brilliant, brilliant album. The War on Drugs, with lead singer Adam Granduciel, channels all the best parts of 80's rock to create a near-flawless LP that takes the listener on a journey.
It's easy to hear the influence of Springsteen, Hornsby, and Dylan in his songs. The songs are abound with hazy guitar riffs, saxophone swells, strong piano chords and raw vocals. It's an infectious rock album which will appeal to generations of music fans (i.e., both us and our Dads).
Also helping their cause: they're fantastic live. Watch "Red Eyes" from their live set at KEXP below:
| The War on Drugs |
It's easy to hear the influence of Springsteen, Hornsby, and Dylan in his songs. The songs are abound with hazy guitar riffs, saxophone swells, strong piano chords and raw vocals. It's an infectious rock album which will appeal to generations of music fans (i.e., both us and our Dads).
Also helping their cause: they're fantastic live. Watch "Red Eyes" from their live set at KEXP below:
And listen to the 5th track on the album, "Disappearing," below:
Labels:
80's rock,
adam granduciel,
disappearing,
dylan,
hornsby,
lost in the dream,
philadelphia,
philly bands,
piano,
red eyes,
saxophone,
slave ambient,
springsteen,
the war on drugs,
war on drugs
Saturday, April 5, 2014
Song of the Day: "Visitor" by Hundred Waters
Hundred Waters is a folk/electronic group based in Florida. I found them randomly clicking around on Spotify the other day, and have since been loving this track.
Band: Hundred Waters
Song: Visitor
Best Part of the Track: The flute overlay at 2 minutes in.
Band: Hundred Waters
Song: Visitor
Best Part of the Track: The flute overlay at 2 minutes in.
Thursday, March 27, 2014
WHY? Appreciation Post
Credit is due to my boyfriend for introducing me to this band, thus sparking yet another musical obsession of mine.
WHY? is absolutely unclassifiable. Sometimes hip-hop, sometimes folk pop... but really the only way to describe them is that they're unlike anyone else. They're just plain weird.
The thing that keeps me coming back to WHY? is lead singer Yoni Wolf's lyrics. They're expressive and imaginative... laden with imagery, metaphors, and double entendres.
There's no way I could do this band more justice than simply listing off some of my favorite Yoni-isms. It took me actually reading the written verses to realize just how many themes he has incorporated into their work. Love, history, death, adolescence, sex, violence, drugs, religion... just a small list of Yoni's lyrical musings.
Here's a taste (warning, some are NSFW):
And here's a few favorite tracks with accompanying lyrics:
WHY? is absolutely unclassifiable. Sometimes hip-hop, sometimes folk pop... but really the only way to describe them is that they're unlike anyone else. They're just plain weird.
| WHY? |
The thing that keeps me coming back to WHY? is lead singer Yoni Wolf's lyrics. They're expressive and imaginative... laden with imagery, metaphors, and double entendres.
There's no way I could do this band more justice than simply listing off some of my favorite Yoni-isms. It took me actually reading the written verses to realize just how many themes he has incorporated into their work. Love, history, death, adolescence, sex, violence, drugs, religion... just a small list of Yoni's lyrical musings.
Here's a taste (warning, some are NSFW):
i thought i had a pebble in my sock
i pulled it off and shook out a wasp
it stumbled out lost, and without a pause
unstung as i was, still i stomped it
even though i haven't seen you in years,
yours is a funeral i'd fly to from anywhere.
what, does it make me evil? am i a feeble deranged fuck?
cause jesus would and i would not drive the needle exchange truck?
if you grew up with white boys
who only look at black and puerto rican porno
cause they want something that their dad don't got
then you know where you're at
then i wept with my face in your night shirt
trying hard as hell to say 'until death separates us,'
loosening the skin on your breastbone
i painted your nails and you sleep while i write all this down
when i got better from the mumps
yes, my swollen nut and neck shrunk
i sleep on my back cause it's good for the spine and coffin rehearsal
your mom she sits while her hair is in curlers
smokes weed and listens to garrison keillor
that's how i'll live when i quit my rap career
let her laughter pass the rafters and go out into the atmosphere
Song of the Sad Assassin
Alopecia (2008)
'i'll suck the marrow out and rape your hollow bones, yoni'
Berkeley by Hearseback
Eskimo Snow (2009)
'these tits not filled with milk, these cold bones wrapped in hunger
like a bundle of sticks in a fire so slow it leaves them unburned, black and yearning'
Labels:
alopecia,
berkeley by hearseback,
elephant eyelash,
eskimo snow,
etc.,
fatalist palmistry,
mumps,
sanddollars,
sod in the seed,
song of the sad assassin,
these few presidents,
why,
why?,
wolf,
yoni,
yoni wolf
Sunday, March 23, 2014
St. Vincent
Been listening to St. Vincent for quite some time, but I've never liked her stuff more than I do now.
Annie Clark's progression as an artist has been fascinating. She started out wearing butterfly wings and providing gentle background vocals for another one of my favorite musicians, Sufjan Stevens. She broke out as an individual artist with her first studio album in 2007, entitled "Marry Me." In 7 years, she has broken her own mold. Though there was always a hint of edginess in her work, her early LP's brought more melody and timidity to the table than fierceness. That couldn't be more opposite than her newest self-titled album... she has never sounded more confident. The evolution of her cover art says it all:
Her time spent on tour with David Byrne had a profound impact on her recent material. This is most obvious on the track "Digital Witness," which is Annie's commentary on the technology of today, posing the question "If I can't show it, if you can't see me... what's the point of doing anything?"
There's no arguing that her new work is both daring and just plain weird at times. She's definitely a polarizing artist... especially when you watch her live. Her concerts not only showcase her musicianship, but also serve as a medium to convey her newfound persona. She's perfected the use of her voice, her body and her facial expressions to transport you to what feels like a different time, and perhaps even a different world. Personally, I find it mesmerizing, and I'll keep watching her. Especially if she keeps ripping guitar solos like the one that starts at 4:06 in the video below:
Annie Clark's progression as an artist has been fascinating. She started out wearing butterfly wings and providing gentle background vocals for another one of my favorite musicians, Sufjan Stevens. She broke out as an individual artist with her first studio album in 2007, entitled "Marry Me." In 7 years, she has broken her own mold. Though there was always a hint of edginess in her work, her early LP's brought more melody and timidity to the table than fierceness. That couldn't be more opposite than her newest self-titled album... she has never sounded more confident. The evolution of her cover art says it all:
![]() |
| Innocent Annie Clark (2007) |
![]() |
| Fearless Annie Clark (2014) |
Her time spent on tour with David Byrne had a profound impact on her recent material. This is most obvious on the track "Digital Witness," which is Annie's commentary on the technology of today, posing the question "If I can't show it, if you can't see me... what's the point of doing anything?"
There's no arguing that her new work is both daring and just plain weird at times. She's definitely a polarizing artist... especially when you watch her live. Her concerts not only showcase her musicianship, but also serve as a medium to convey her newfound persona. She's perfected the use of her voice, her body and her facial expressions to transport you to what feels like a different time, and perhaps even a different world. Personally, I find it mesmerizing, and I'll keep watching her. Especially if she keeps ripping guitar solos like the one that starts at 4:06 in the video below:
Thursday, February 20, 2014
Sharon Van Etten - New Album Trailer
I think I'm responsible for at least 100 of the hits on this video today.
Sharon Van Etten released a way-too-short teaser of her new album, "Are We There," which will be released in May by Jagjaguwar.
Needless to say, I'm obsessed already with her new stuff, even after hearing just 50 seconds of it. Typical strong vocals by Sharon, backed by Heather Woods Broderick's perfect harmonies... laid over oscillating strings. If only I didn't have to wait 3 months to hear the rest of the LP.
Sharon Van Etten released a way-too-short teaser of her new album, "Are We There," which will be released in May by Jagjaguwar.
Her music is sometimes folksy and quiet, sometimes rock-n-roll-sy (is that a word?) and bold. Regardless of style, it's always powerful.
Needless to say, I'm obsessed already with her new stuff, even after hearing just 50 seconds of it. Typical strong vocals by Sharon, backed by Heather Woods Broderick's perfect harmonies... laid over oscillating strings. If only I didn't have to wait 3 months to hear the rest of the LP.
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